|
|
|
Christ Carrying the Cross Painting ID:: 42294
|
Albrecht Durer Christ Carrying the Cross mk168
210x285mm
|
|
|
|
|
|
|
|
The Deposition of Christ Painting ID:: 42295
|
Albrecht Durer The Deposition of Christ mk168
205x290mm
Pen and ink on paper
|
|
|
|
|
|
|
|
The Great Crucifixion Painting ID:: 42296
|
Albrecht Durer The Great Crucifixion mk168
320x230mm
|
|
|
|
|
|
|
|
Portrait of a Young man Painting ID:: 42297
|
Albrecht Durer Portrait of a Young man mk168
378x271mm
London
British Museum
|
|
|
|
|
|
|
|
Portrait of Rodrigo Fernandez d-Almada Painting ID:: 42298
|
Albrecht Durer Portrait of Rodrigo Fernandez d-Almada mk168
373x271mm
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Albrecht Durer
|
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. |
Related Artists::. | arp konfiguration | Samuel King | VELDE, Adriaen van de | |
|